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Although he was a delightful painter of landscapes, women were Klimt's theme above all others.
Τhe image is dissolved in luxuriant decoration, derived from Byzantine mosaics, Celtic design, and the Oriental textiles and ceramics that filled his studio. The effect is sumptuous, sensual, near-abstract but not too dauntingly avant-garde.
That ornament, however, tended to be filled with meaning. When Klimt died, an unfinished painting entitled The Bride was left in his studio. The right half was dominated by a semi-naked female figure. The knees were bent and the legs splayed out to expose a carefully detailed pubic area on which the artist had leisurely begun to paint an overlay 'dress' of suggestive and symbolic ornamental shapes.