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The Entombment is an unfinished painting of the placing of the body of Jesus in the garden tomb, now generally attributed to the Italian Renaissance master Michelangelo Buonarroti and dated to around 1500 or 1501.
The centre of the panel portrays Christ being carried up a flight of steps to the sepulchre, which was intended to be painted in the blank area at the top right of the work. The bearded older man behind him is probably Joseph of Arimathea, who gave up his tomb for use as Christ's sepulchre. The long-haired figure on the left is probably Saint John, wearing a long orange-red gown, with one of the Marys (possibly Mary Magdalene) kneeling at his feet. The identity of the two figures on the right is uncertain. Suggested identities for the elongated inner figure range from Nicodemus to one of the Marys, while the figure on the far right may be Mary Salome. The large unfinished area at the bottom right was intended to be used for the kneeling form of the Virgin Mary. The floating appearance of some of the figures may be partly explained by the fact that the painting is intended to be viewed from below, and to the fact that it is unfinished. However, the apparent incongruity of the stance of the bearer on the right remains problematical. Many of the unfinished parts of the painting, such as the cloak of the missing Virgin, would have required quantities of the expensive lapis lazuli blue. If this was in short supply, it could be that this would have held up completion of the painting, which may explain why it was unfinished. However, even if this were so, it would not explain why the artist could not have completed the many other parts of the painting that did not require any blue.